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Tag Archives: BBC

Sherlock: The Reichenbach Fall

21 Monday May 2012

Posted by puddingpost in Television

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BBC, Benedict Cumberbatch, Martin Freeman, Masterpiece, Sherlock, Television, Watson

Benedict%20Cumberbatch%20and%20Martin%20Freeman%20star%20in%20%22Sherlock.%22%20%28Colin%20Hutton%2C%20Hartwood%u2026%29

Sherlock: Season 2 concluded with a more somber episode, “The Reichenbach Fall,” but one that was nevertheless suspenseful and fun.  Sherlock (Benedict Cumberbatch) faced his deadliest foe yet – a popularity contest.  This is a classic arc for heroes – the fall from grace/public favor, and the subsequent race to catch the real criminal while clearing his own name.  Our favorite consulting detective fell repeatedly over the course of this final problem, sometimes metaphorically, sometimes literally, but never completely – how could he?

Sherlock

Boffin Sherlock began the episode pretty well, having just solved the Reichenbach case which sets him on the verge of being super duper famous.  We then see him squirm his way through a series of photo ops for the other high-profile cases he’s been solving, and of course neither he nor Watson (Martin Freeman) really enjoys this attention.  Oh, the agony of receiving thanks, publicity, and gifts he doesn’t need (the present from Scotland Yard of his very own deerstalker hat was my favorite).  As Sherlock rips into the lameness of the “ear hat” and is generally annoyed by all of these distractions, Watson becomes more concerned with the inevitable backlash his best friend will soon experience.  He doesn’t much trust the press, and not just because they refer to him as the bachelor.

Sherlock - The Reichenbach Fall

Of course Moriarty (Andrew Scott) appears to cut Sherlock down to size.  He pulls off a triple heist involving the Crown Jewels, a prison and a bank, all for the purpose of ultimately sullying his rival’s good(ish) name.  During the trial we get a glimpse of how off-putting Sherlock can be to people who aren’t Watson, Mrs. Hudson (Una Stubbs), Lestrade (Rupert Graves), Molly Hooper (Louise Brealey), or his brother.  Was anyone really surprised to see him end up jailed for contempt?  He even crossed an intrepid reporter who pretended to be a member of the Sherlock Fan Club, and this proved to come back to haunt him when she totally went on a smear campaign against him.  Did she think that would repel him less?  But being unlikable to “ordinary” people was only the start of his problems.

The real trouble started with The Gingerbread Case.  Two kids were kidnapped, and Sherlock easily solved this not-boring case with just footprints – though the kids weren’t exactly grateful since the girl screamed her little head off once she saw him for the first time.  And then the awful people at Scotland Yard, who have been jealous of him all this time, started to wonder whether Sherlock had actually committed the crimes in order to impress everyone by solving them.  You can imagine how this seed grew once it was planted, especially since those jealous types were just waiting for the opportunity to take him down.  Even Lestrade couldn’t prevent him from getting arrested (though he tried – how sweet), but Sherlock was very capable himself in that respect, taking Watson as a “hostage” and running away.  They reminded me of  grown up versions of Hansel and Gretel, handcuffed and hand in hand (ok).

Legend: Sherlock Holmes, played here by Benedict Cumberbatch in the BBC series, has always evoked intense feeling from fans of the fictional detective

While on the lam, they looked up that reporter again, and discovered that her source was none other than Moriarty, who had transformed himself into an actor – oh, the lengths to which he will go in his villainy.  And to add to the craziness, there was a whole host of international assassins surrounding Sherlock – very Order of Taraka of Moriarty, I think.  Feeling cornered, Sherlock seeks unexpected assistance from Molly, who proved more than able to meet this challenge (was it the lunch of chips that he treated her to?).  They reach an understanding offstage, and then we come to the final showdown between Sherlock and Moriarty, on the rooftop of the hospital.

The arch-villain forces him to commit suicide – otherwise he will kill his friends, all three of them.  Watson is a gimme, but Mrs. Hudson and Lestrade would be pleased to know that they had been upgraded from landlady and handler, respectively.  And so, after saying farewell to Watson, Sherlock plunges to his death.  Not.  Who is that man watching Watson fall to pieces over Sherlock’s grave?  Of course it’s Sherlock – it’s obvious how he cheated death.  Or it’s supposed to be.  The producer has said that he put all the clues in there, so maybe someone will figure it out before the third season arrives.  And so ends the second season of Sherlock.  Sherlock is dead – long live Sherlock!

Benedict Cumberbatch stars as Sherlock Holmes in BBC's Sherlock

I think this already good series could have been even greater if the villain had been at least half as interesting as Sherlock (though I guess that’s a tall order).  Honestly, he wasn’t even as compelling to watch as King Lestrade (though I may be biased here).  And like Sherlock, I’m disappointed that Moriarty’s “clever” plans mostly just involve blackmailing people – how ordinary.  I think Sherlock should have been insulted when the reporter accused him of creating Moriarty – I know Sherlock could have come up with a way better nemesis if he had been so inclined.  I also got the strange impression that Moriarty would have liked to replace Watson – maybe he just wants to be Sherlock’s only bestie.  And Moriarty comes up with the worst nicknames – Sir Boast-a-lot?  Really?  The only funny thing he did was to muse about whether he should get his own live-in Watson – I would love to see that.

Molly was surprisingly interesting this episode, even more interesting than Irene Adler, I think.  She has been the only person to always see Sherlock as very human and vulnerable, and he has only ever really let his guard down around her, and I don’t think it’s just because she doesn’t matter to him at all.  I was intrigued by what she said about Sherlock being like her father (in that they both look sad only when they think no one is looking).  This could mean that her father was just the stoic type, or else he was a borderline sociopathic genius like Sherlock and Moriarty – that would explain why she is drawn to those two men and cadavers.   But I don’t like the idea of Sherlock needing someone else besides Watson – why can’t he let his guard down with him?   I think it’s telling that Moriarty left her off the list of Sherlock’s friends – the bad guy always underestimates people like Molly.  Her increased importance in the Sherlock-Watson team was really contrasted with Mycroft’s fall from grace.  How could he betray Sherlock like that?  Worst older brother ever.  And his club sucks.

Sherlock

I usually hate these kinds of arcs which have our hero or heroine suffer extreme disgrace.  I guess it was inevitable for someone as polarizing as Sherlock, and as far as these things go it wasn’t so bad.  It helped that our hero probably cared a lot less than anyone else.  What was probably the hardest to watch was how Watson handled all of this – he has always been looking out for his friend, but this was probably the first time he saw the great Sherlock Holmes so vulnerable, and this scared him.  I think this is because he cares a lot, and maybe he likes his heroes infallible too.  It was painful to see Sherlock think that he was falling in his best friend’s estimation.  Don’t worry, he still thinks you’re the best thing ever!

I can’t wait for the third season of this super fun series, though I’ll probably have to wait until next year.  Somehow I doubt that the new CBS retooling starring Jonny Lee Miller as the amateur sleuth and Lucy Liu as his Watson will quite fill the void.  Side note: Miller and Cumberbatch were recently in the acclaimed Frankenstein, in which they alternated playing Frankenstein and his monster – what weird, karmic connection do these two actors have to be playing almost the same role so often?  Anyways, if I want to see the real Sherlock and Watson reunited, I guess I could go see the new Hobbit movie, but maybe not – the whole Motion Capture Cumberbatch kind of weirds me out.  But if Cumberbatch makes a good villain in the new Star Trek movie, he should totally take on dual roles in the next season – wouldn’t it make sense for Moriarty to undergo extreme plastic surgery to look like his rival?  Maybe then Moriarty will start being interesting, and not boring, which, let’s face it, he kind of is.  How will I wait for the next season?  I might have to do something extreme and read the actual stories over again.

He'll be back: The BBC have confirmed that Sherlock, starring Benedict Cumberbatch and Martin Freeman, will return for a new series next year

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Sherlock: A Scandal in Belgravia

09 Wednesday May 2012

Posted by puddingpost in Television

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BBC, Benedict Cumberbatch, Martin Freeman, Masterpiece, Recaps, Sherlock, Television, Watson

Everyone’s favorite highly functioning sociopath is back!  I really liked Season 1 of Sherlock, the BBC’s wacky, tech-infused update of Sir Arthur Conan Doyle’s famous detective, so I was looking forward to Season 2 which Masterpiece Mystery! just aired (thank you, Alan Cumming!).  The first episode was a super fun spin on “A Scandal in Bohemia” and even introduced a potential love interest – no, the love interest for our virgin.

Sherlock

The series picked up right where it left off, with the cliffhanger featuring Moriarty (Andrew Scott) holding our boys kind of hostage in a rank swimming pool.  Suffice it to say, they all live either to commit or solve another impossible crime, and it was pretty anti-climactic, even with the peek into Moriarty’s psyche afforded by hearing his choice of ringtones.  It’s not like I wanted any of them to die, but what kind of resolution is that?  Also, I keep wanting to be scared by Moriarty, but honestly, Mycroft (I love him!) is way more sinister.  I haven’t seen the latest Guy Ritchie Sherlock film, but I’m curious how Jared Harris played him.  Did playing the Napoleon of crime influence his performance on Mad Men this season, where Lane gets into fisticuffs with a grimy little pimp?

Anyways, Sherlock (Benedict Cumberbatch) spends the first part of the episode being incredibly bored by the quality of cases which are coming their way.  Watson (Martin Freeman) is a lot more occupied since his blog chronicling their adventures is a runaway hit, garnering thousands of pageviews a day (about two thousand every 8 hours – that’s cute), and they are both generating lots of buzz and press (like the headline “Hat-man and Robin”).  For someone so smart, I don’t understand why Sherlock can’t see why Watson needs snazzy blog titles like “The Geek Interpreter” to engage his readers.  I thought the blog was a fun nod to the original source material, but not as darling as how the show managed to get Sherlock into a deerstalker cap.  And for all of Sherlock’s criticisms you know a part of him loves it – he didn’t want Watson to include unsolved cases, so he has a vested interest in how he’s portrayed.  But I get that he has to act like a diva – he even had a total Linda Evangelista moment when he refused to leave his flat for any case rated less than a 7.

Sherlock’s boredom is interrupted when he goes off to meet the queen (kind of) and he ends up at Buckingham Palace without a stitch on him except for an artfully draped sheet.  But no, it’s not just fun and games at the palace, for his brother Mycroft (Mark Gatiss – also a series creator) shows up to tell his dear little brother to put his trousers on and to give him a Very Important Mission.  Irene Adler (Lara Pulver – she kind of reminds me of Kristen Stewart and Jodie Foster), a dominatrix who goes by the name The Woman (I guess that suits a dominatrix more than Irene Adler), has some compromising photos of a young girl from the royal family, and they need it back.  This being a Sherlock case ( that’s, like, an 11), the mission isn’t as simple as it seems, and soon Sherlock and Watson are on a mad chase to catch The Woman and get her camera phone – dressing up as members of the clergy, punching each other (but so as not to ruin the other’s face, because that’s what people in love do), and who knows what else along the way.  Does Sherlock solve the impossible case?  There are some things even I can deduce very easily.

Sherlock

I guess Irene Adler made a pretty good showing as Sherlock’s true lady love, even though she did emasculate him and humiliate him in front of his brother.  Actually, it’s probably because she did all of those things that she suits him.  And the outfit she greeted him in might have been necessary for someone like him.  Also, her passwords for her phone and safe were ridiculous but cute, and both she and Sherlock share a penchant for nudity.  Watson is still his soulmate, but she’s ok – way better than any of Watson’s paramours (who knew Watson was such a player).  Maybe it was meeting her and having some kind of love-like feelings for the first time that made our detective act a little differently in this episode, but I prefer to think that the long-term effects of being with Watson have humanized him a little more.  He was almost tender with Mrs. Hudson – I didn’t know he cared so much.  But it was kind of adorable the way Sherlock roughed up some Americans to avenge her.  He can be so sweet sometimes.

I probably would ignore Detective Inspector Lestrade since he’s barely present, but because he’s played by Rupert Graves I’m always on the alert.  Every time I see him I can’t believe that’s Rupert Graves, the pretty boy from A Room with a View.  I think he should ditch his cheating wife (poor Lestrade) and turn his attentions to the poor Molly Cooper (Louise Brealey) who continues to be humiliated by Sherlock.  I think she’s too normal to be with him, but considering that she actually likes him, she might just be weird enough.  Maybe she’s even super freaky since she seems to have a distinct type – her last boyfriend was Moriarty, after all.

I am no Sherlock Holmes aficionado, so beyond having read the stories about once each I don’t really have much of a comparison point for this series.  To be honest, I am more familiar with the beloved Disney animated film, The Great Mouse Detective (classic), but this series is totally giving it a run for its money (for me).  I’m not so much interested in solving the cases as I am by seeing the relationship between Watson and Sherlock – these two are so cute together.  I love how whenever he and Watson are together they revert to immature schoolboys – l’amour, l’amour.

Sherlock stars Benedict Cumberbatch and Martin Freeman

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Great Expectations: Episode 1

04 Wednesday Apr 2012

Posted by puddingpost in Television

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BBC, Charles Dickens, Douglas Booth, Gillian Anderson, Great Expectations, Masterpiece

Since I have a weakness for period pieces and Gillian Anderson, I thought I might as well watch the BBC’s new adaptation of Charles Dickens’ Great Expectations as not.  I don’t know if it exceeded my expectations (sorry, I had to do it), but this was only part one of two, after all.

The basic plot is boy, Pip, meets girl, Estella, in the creepy house, Satis, owned by a creepy woman, Miss Havisham (never madam).  Since Miss Havisham is so twisted and disturbed from having been jilted all those years ago, she sets about messing with their lives since that’s just what jilted ladies do.  Since this is British, class issues are central to the story: Pip is from the lower classes who wants to be “brought up” to the level of a gentleman.  Really, what’s a British period piece without many uncomfortable discussions of class?

This first episode followed our boy Pip (Oscar Kennedy) as he unwittingly saves Magwitch, a convict (Ray Winstone), with a file and mutton pie, meets his cruel lady-love Estella (Izzy Meikle-Small) and the crueler and crazier benefactress Miss Havisham (Gillian Anderson).  The lady of Satis strings him along, letting him think that he’ll be raised above his station, only to apprentice him to his kind brother-in-law at the forge.  What a letdown for our young hero.  But he seems to accept his place in the world, until one day, many years later (we know it’s many years since the child actor is now replaced by Douglas Booth of the Corset Crew) he once again comes into contact with Miss Havisham.  She invites him to call so that she can parade a grown-up Estella in front of him, informing him that she is going to France for “polish” and will no doubt follow up by making a splendid match in London.

But she’s not the only one moving up in the world – the attorney Jaggers (David Suchet) arrives at the forge to inform Pip that he has an anonymous benefactor who wishes to raise him up to the position of a gentleman, styled as Mr. Pip.  He is not to inquire into who this benefactor is, which is fine by him since he is convinced it’s Miss Havisham, who is giving her blessing for him and Estella to marry.  And off he goes to London, as a man of great expectations, to start his new life – to be continued.

The boy Pip was so adorable – not really the best actor, but since he was so cute it doesn’t matter.  Douglas Booth is an up and coming actor, but so far the biggest impression he left on me is that he looks kind of like Theo James who played Pamuk in Downton Abbey.  Estella made even less of an impression, except for her nice fingerless gloves she wore as a child.  The adult Estella, Vanessa Kirby, is another Corset Crew member who was rumoured to be dating Douglas Booth.  What drama!

Gillian Anderson gave off a decided Baby Jane whiff, which I guess worked.  I didn’t get the impression she was that bonkers or evil, so maybe that’s why critics had problems with her.  I know that there are limitations of condensing a large-ish book into a short miniseries, but it would have been nice to explore the sick and twisted relationship between her and her adopted daughter, and this could have helped to display her cruelty better.  And let me just say that I don’t think she’s the benefactor – call me crazy.  The escaped convict didn’t just show up for the pie.

Full disclosure, I’m not much of a Charles Dickens fan, but I’ve always had a soft spot for Great Expectations since it was the first grown up book Roald Dahl’s Matilda read.  And so far this show isn’t bad at all.  I think these BBC/costume dramas are like comfort food – it would take something really awful to make them unwatchable.  And thank you Laura Linney for your weird, slightly off-putting introduction.  That’s what makes Masterpiece so wonderful.

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A Lady Should Have “Sense and Sensibility”

11 Sunday Mar 2012

Posted by puddingpost in Television

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BBC, Dan Stevens, Jane Austen, Masterpiece, Sense and Sensibility, TV

Now that I’m hearing that Dan Stevens (aka, Cousin Matthew from Downton Abbey) might be giving problems about returning for Season 3 (who’s the uppity minx now?), I can’t help but recall when the actor also played another frustrating character – (the brown-haired) Edward Ferrars in the 2008 BBC miniseries adaptation of Jane Austen’s Sense and Sensibility.  Edward might not have been next in line to become an earl, but he was also someone with romantic problems.

The basic plot of both the adaptation and the novel (for those who don’t know it) follows the ever-changing fortunes and romantic trials and tribulations of the beautiful Dashwood sisters, particularly the two eldest, Elinor and Marianne (the youngest, Margaret, gets short shrift in every incarnation of this story – poor Margaret).  Elinor (Hattie Morahan) is the reserved, cautious one while the younger Marianne (Charity Wakefield) is the impetuous, passionate one (I am simplifying things here, of course) – but that doesn’t stop either girl from getting crossed in love.  Both sisters experience the awful feeling of being ill-used by their lover – Elinor by the weak-willed (that’s how I saw it, anyways) Edward Ferrars (Dan Stevens), Marianne by the rake Willoughby (Dominic Cooper) – and their different ways of handling this abuse illustrates the differences in their characters.

It wasn’t so hard to watch this and not think about the earlier movie adaption (directed by Ang Lee and starring Emma Thompson as Elinor, Kate Winslet at Marianne, and Hugh Grant as Edward, which I also liked) since I enjoyed this three-part series very much.  I thought Hattie Morahan was pretty compelling and interesting, though I admit that I’m more interested in the fact that in real life she’s engaged to Blake Ritson, whom I loved in the adaptation of Austen’s Mansfield Park.  He was also funny as Mr. Elton in Emma (with Romola Garai – who gets pretty steady work, no?), but a little strange in the new Upstairs, Downstairs – but I guess that was intentional.  Charity Wakefield was fine, though I thought she was more chipper than romantic, and really emphasized Marianne’s immaturity – though I don’t know if that was intentional or not.

s%2Bs.jpg

And I admit, Dan Stevens did not make that much of an impression on me.  I don’t belong to the Cult of Bumbling Hugh Grant, so I wasn’t prejudiced in that way.  I think I just dislike the character of Edward so much, so Stevens shouldn’t take it personally.  I actually thought he was kind of funny (on purpose, too) and injected more personality into his character than I would have expected, but I didn’t anticipate he would hit it so big in anything later on.  He was funny as Matthew Crawley, too, so I have high hopes for him in Amy Heckerling’s Vamps.  He’s also about to be in a movie, Summer in February (another period piece, natch – Edwardian this time), with Dominic Cooper – let’s hope they both treat women a little better in this one.  I don’t really get Cooper either, though he was a pretty compelling dancer in An Education.  But David Morrissey as Colonel Brandon couldn’t compare to Alan Rickman – I love Alan Rickman.

Sense and Sensibility

Out of all of the Austen novels, this is not one of my more favorite ones (though I love them all) since I can’t stand what Edward and Willoughby put those girls through.  The Andrew Davies screenplay was ok, though I could never really like his adaptations that much after he completely mangled A Room with a View.  I could never understand why Elinor liked Edward so much, but whatever – she should get whatever she wants.  I was totally on Elinor’s side over Marianne’s, though I totally get behind the message of the novel – you need to be both an Elinor and a Marianne.  Never mind about Margaret.

I watched this when PBS Masterpiece Classic had their little Austen moment and aired an adaptation of all of her main published works – some new, some old, all fun.  PBS even had a handy guide which converted the fortunes and incomes of each Austen hero into modern sums.  Not that I read that, since I don’t talk about money.

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12 Sunday Feb 2012

Posted by puddingpost in Television

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BBC, Daniel Deronda, Foreign Series, George Eliot, Hugh Bonneville, Hugh Dancy, Romola Garai

I can’t tell you how funny it’s been to see Hugh Bonneville play such a stalwart, upright (well, at least so far) character in Downton Abbey when the first thing I ever saw him in was the BBC’s 2002 drama adaptation of George Eliot’s Daniel Deronda in which he played the villainous Henleigh Grandcourt.  I was surprised by how much I enjoyed this production, and I can’t help but think about the mysterious Daniel Deronda whenever I see Downton Abbey.

Daniel Deronda follows the parallel but often intersecting stories of the beautful but selfish Gwendolen Harleth (Romola Garai) and the magnetic Daniel Deronda (Hugh Dancy – too cute).  When Gwendolen’s family faces financial ruin, she looks to various ways to make her fortune before finally entering into a loveless marriage with Henleigh Grandcourt (Hugh Bonneville, of course) which slowly descends into a nightmare as she discovers just how cruel and abusive he is.  She seeks solace and comfort from Daniel, whom she had known before slightly and who also happens to be Grandcourt’s cousin, but he is dealing with his own problems.  He is the ward of Grandcourt’s uncle, Sir Hugo Mallinger, and has no clue about his real background.  He has also become involved with a beautiful Jewish girl, Mirah Lapidoth (Jodhi May), whom he saved from drowning, and she gets drawn into his quest for his origins.

I had read the George Eliot 1876 novel before watching this, so I was a little skeptical since I couldn’t imagine how the BBC (even with Andrew Davies of Pride and Prejudice fame) could turn a rather dense story about morality and Jewish mysticism into an entertaining, crowd-pleasing miniseries.  But I was happy to see how wrong I was.  The series followed the book closely enough for me, and if there were glaring omissions, then I didn’t mind.  My favorite character from the book, the visionary Mordecai, wasn’t quite what I pictured, but he was still pretty compelling.

Hugh Dancy was great at injecting a kind of levity into Daniel’s character (though I don’t know how intended that was), but I don’t think he had much chemistry with Johdi May.  I’ve liked Romola Garai ever since I saw her in the wonderful I Capture the Castle (2003 – you should really see this), and I liked her here too, though her take on Gwendolen was a little strange and affected – but then again, Gwendolen was pretty strange and affected so maybe Garai is just a super good actress.  I think it’s funny how she can go from playing someone kind of plain, as Cassandra was supposed to be (at least compared to her sister), to embodying the beauty (Eliot’s women are always outsized beauties) Gwendolen, whom a character describes as a Van Dyke duchess.  Maybe that will mean something to you.

I admit that when I saw this, Bonneville didn’t really stand out.  He was good, but nowhere near as evil as I had always imagined Grandcourt to be.  I know that he started his career playing the kind, bumbling character (like in Notting Hill), but eventually moved on to villainous roles like this one.  But now he seems to have returned to his mild-mannered origins.  Maybe this is the right choice for him – the hair alone makes it worth it, I think.

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